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Illusion - Is Seeing Really Believing?
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Illusion - Is Seeing Really Believing (1998)(Marshall Media)[Mac-PC].iso
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ILLUSION
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00190_Text_ref21t.txt
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1996-12-31
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The existence of these two
stages of the perceptual
processing of pictures is even
more evident in a more complex
example. Suppose the artist has
represented a dish containing
pieces of fruit resting on a
table, as did Cezanne in the
accompanying still life. The
dish is only partly visible
because the fruit covers some of
its edges. Nevertheless, to
represent the dish in proper
perspective, Cezanne painted
an elliptical figure on the
canvas, as is clear in the still
life. If we view the picture from
a position to the side, that
partial ellipse becomes more
nearly circular or, possibly, an
elliptical image whose vertical
axis is longer than its
horizontal one (the opposite of
what the artist has drawn). In
order to know the shape that
the figure is intended to
represent, we first must
achieve shape constancy for
the drawn figure by perceiving
it as an ellipse whose
horizontal axis is longer than
its vertical one. Only then can
we process the perceived shape
to recover what it represents in
the scene depicted. The
perceived elliptical shape is
now perceived as a circular
dish. Of course, we will achieve
constancy for the object
represented only if the
necessary information about
depth is conveyed in the
painting. Were just the dish
outline visible, it would simply
look like an ellipse in a
vertical plane. We are not
aware of these stages of
processing and thus experience
the dish as a circular object
more or less immediately.